In the quiet atmosphere of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His carriage is effortlessly upright, his limbs muscular beneath a plain tee. On stage, dancers can appear as mighty deities, yet frequently in person they are petite. This is not true for Ball, whose height is part of his popularity for heroic roles and pas de deux work. With delicate features and intense eyes, there's a touch of a brooding actor about him.
A Seamless Rise to the Top
At 31, Ball is experiencing the peak of a career that has progressed seamlessly. Growing up in Liverpool, he faced little teasing for his childhood passion in ballet. Joining the Royal Ballet School at 11, he graduated directly into the company and was promoted annually, attaining the highest position of principal in 2018. He has relished tackling substantial dramatic roles, especially the emotional angst found in Kenneth MacMillan's works.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
Ball's upcoming starring role is as himself, in an "Evening With" event designed to offer behind-the-scenes insights into a performer's art. He will walk the audience through a role, showing his mental process while execution. Even in more comedic works, the challenge is significant. "Don Quixote is one of the most demanding from a skill perspective," he notes.
The Mental Struggle and Post-Performance Feelings
What about after a show, when he has succeeded? "It feels pretty good," he admits. "However because I'm trying to squeeze all the juice out of it, and get lost in the character, quite often I do feel self-conscious afterwards. After an intense role I'm always thinking: God, what must people think?"
Offstage, Ball is thoughtful, mild-mannered, and prone to laugh at himself. Yet a choreographer previously remarked on a "sense of suffering in him." Is there? "I am very energetic in general, but I do have a melancholy streak," he confesses. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an catalyst for good change."
Early Drivers and Creative Influences
His determination stemmed from early setbacks. Not excelling in competitions at school made him "driven!" This became motivation to prove he could succeed. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.
The next endeavor is creating his own choreography. For Ball, "there's nothing wrong with." "Challenging the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from books, music, and art.
Close-Up Dance and Personal Partnership
He additionally favors presenting dance in more intimate spaces. "It was just really thrilling," he says of a previous experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"
Ball has made duets with his partner, fellow principal Mayara Magri. The level of trust between them is evident. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." They aren’t typically paired on stage at their main theater, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s favorite supporter."
Regarding Instagram and Physical Image
On Instagram, followers can see clips from his dance films and images that showcase a athletic physique. Does he care that the response can be somewhat objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he states. He relates it to seeing Michelangelo’s David—something that can be seen on various ways.
Ball characterizes his early self as "desperate for success." Has it lived up to his hopes? "I am conscious of how reality is a separate reality to the aspirations you made as a child," he muses. He probably has another ten years of dancing ahead. "I guess in the future, I want to be a bit more kind with myself."